Artist / Founder, ISOVIST STUDIO / Associate Professor, University of tokyo







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BIBLIOGRAPHY



2026 SPILL 180 BEANS VOL 6, 'Offset Attunement: Sarah Oppenheimer in conversation with Dana Karwas'.

2026 SPILL 180 BEANS VOL 5, 'Tidal Locking: Charlotte Youkilis in conversation with Dana Karwas'.

2025 Yale Maquette, 'A Different Dimension: Julie Curtiss in conversation with Dana Karwas'.

2025 Yale Maquette, 'A Theory of Meaning: Takashi Ikegami in conversation with Dana Karwas and Chaitanya Harshita Nedunuri Kahn'.

2025 Yale Maquette, 'Thirty Six Point Eight Hours: What I'm Working On', Karwas, Dana.

2025 SPILL 180 BEANS VOL 4, 'Clockwork: Whitney Mallett in conversation with Dana Karwas'.

2025 SPILL 180 BEANS VOL 3, 'Sublime & Unknown: Danielle Ezzo in conversation with Dana Karwas'.

2025 SPILL 180 BEANS VOL 1, 'Mirror, Mirror: ST Luk in conversation with Dana Karwas'.

2024 Yale Perspecta no. 56, 'The Sentient Volume: Embodiment and in the spaces of Arakawa and Gins', MIT Press, Karwas, Dana.

2024 Ultra Space Printed Volume, 'Not a Manifesto', Yale CCAM, Karwas, Dana.

2024 Yale Maquette, 'What I'm Working On: Dana Karwas and Ariel Ekblaw'.

2023 Yale Maquette 'Q&A: Dana Karwas with Keller Easterling'.

2022 Yale Paprika!, 'Antennas for a Flanuse', Karwas, Dana.

2021 The Opera House of the Future, 'Evolving Interdisciplinary Performance: Unforced Perspective in the Theatrical Manifold', Karwas, Dana.

2020 Yale Maquette, 'Ultra-Space: Dimension, Gesture, and “The Sensitive Machine”' interview with Sarah Oppenheimer, Karwas, Dana.

2020 Yale Maquette'What I'm Working On: Dana Karwas', Karwas, Dana.

2020 Yale Paprika!, 'The Expanded Nature of Collaboration', Karwas, Dana.

2019 Springer, 'Image Gravity: Defining Spatial Constructs for Invisible Phenomena', Karwas, Dana.

2007 Fluid Screens, Expanded Cinema, 'Party Dress', University of Toronto Press, Karwas, Dana.



Yale Maquette Article, A Theory of Meaning: Takashi Ikegami in conversation with Dana Karwas and Chaitanya Harshita Nedunuri Kahn

Perspecta 56 Essay, Sentient Volumes and the Work of Arakawa and Gins