On view until June 16th, 2018 at the Helix Center NYC as part of the Creative Turbulence group show feating work from Rafael Lozano-Hemmer, David McLeod and Berndnaut Smilde.
Immutable Swell is a sculptural representation of an ocean wave as it breaks onto land. The artwork was created by extracting over 500,000 data points from a custom buoy sensor placed in the waters of Cape Cod. This data was combined with my own own persoanl experience of swimming in the ocean to emerge as a complex 3D digital inscription of an ocean wave. By using software and motion analysis to observe the wave from a digital distance, I was able to distill invisible structures in the wave. Immutable Swell represents an opportuinty for vieiwers to reflect upon the powerful and mysterious patterns found in the ocean.
“We do not uncover pre-existing facts about independently existing things as they exist
frozen in time like little statues positioned in the world ... Rather, we learn about
phenomena—about specific material configurations of the world’s becoming. The point is
not simply to put the observer or knower back in the world but to understand and take
account of the fact that we too are part of the world’s differential becoming.”
----Karen Barad, Meeting the Universe Halfway1.
Bruno Latour uses the term Immutable Mobiles to explain a flattening of reality that happens to scientific images enabling them to circulate globally—to become mobile, yet immutable. Its significance comes from optical consistency, a Renaissance visualization technique in linear perspective allowing the possibility of physical spaces and objects to go from one type of visual trace to another2.
The prescriptiveness of representation doesn’t box in the original data, however. A given representation of the data is only a referendum on itself, since the underlying information still exists and can still be looked at in an infinite number of ways. The Immutble Swell as portrayed here as the distilled moment of a body moving in a wave is not intended to foreground a specific conclusion, but instead it is asking for an emotional response from the viewer.
Immutable Swell Sculpture. 3D Printed Resin 5” x 5” (Displayed with Ocean Video Vitrine), 2018
Immutable Swell Sculpture. 3D Printed Resin 5” x 5” (Close Up), 2018
Immutable Swell Sculpture. 3D Printed Resin 5” x 5” (With Ocean Video Light), 2018
Immutable Swell Inkjet Print on Archival Paper. 40”x40”, 2018
Immutable Swell Sculpture and Print. Creative Turbulence Exhibition NYC on View at the Helix Center
NYC, June 2018
NYC, June 2018
Latour, B. (1986). Visualisation and cognition: Drawing things together. Knowledge and
Society: Studies in th e Sociology of Culture Past and Present , 6, 1–40.
Barad, Karen Michelle. Meeting the Universe Halfway: Quantum Physics and the
Entanglement of Matter and Meaning. Duke University Press, 2007.